It’s not often that you come across Turkish rock bands, in fact, Reptilians From Andromeda are possibly the first that I have listened to. With an underlying “Garage-Rock” sound, this EP is quite the release to talk about.
Continue reading “Reptilians From Andromeda – Groove Overdrive [EP Review]”

So, I get sent a lot of music these days, and over the last few months I have written about a lot of releases. The majority of what I’ve listened to has been fantastic, but not a whole lot have felt like something that I would go back to after reviewing. Fizzy Blood, however, have created something that really does keep drawing me back in for another spin.

I find more often than not that the lead in descriptions that come with the music I am sent doesn’t really mean a lot, especially once I have given the material a couple of listens. In this case, I was actually drawn in and got really excited to give The J Spot a listen. Unfortunately, 8 times out of 10 excitement turns into let down.
Instrumental bands are another one of those areas of music that I find to be extremely hit or miss. I am fond of bands like Maybeshewill and That Fucking Tank, but when it comes to more established artists like Mogwai… well I like the music, but something about it doesn’t captivate me as much as it should. However, Closet Disco Queen are right up there in my opinion.
You know how people like to pick on everything about St Anger, the Metallica album that has somehow apparently gotten worse over time? I remember the one slamming point was the sound of the snare, something that personally didn’t bother me. And apparently, This Is Wreckage more than likely don’t either.
Enamel Animal; I like the name alone. 8/10 job done.
I have previously described bands as sounding like the true indie music of the 80s/early 90s, similar to many of the bands that I grew up listening to from the mother’s vinyl collection. Never before have I heard a band so true to those roots like Fret! are.
Somehow the albums I have been asked to review have gone from being noisy punk and hardcore to experimental/progressive metal (and for some reason all suddenly containing 9 tracks…) 100 Years aren’t easy to categorise, but certainly sit somewhere amongst the latter.
Hands up, I was a bit hesitant about reviewing this one. I don’t tend to get along with conceptual or more progressive albums, and I had no idea how I was going to actually review something like this. I’m going for it anyway (anyone fancy reviewing my review…?)