Swiss heavy-rock/hardcore four-piece CardiaC group have just shared a music video for the track “Adicto A La Vida”, which comes off the band’s new album “Sangrar Hasta Lograrlo” released in early 2016 by Tenacity Music.
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Enamel Animal; I like the name alone. 8/10 job done.
I have previously described bands as sounding like the true indie music of the 80s/early 90s, similar to many of the bands that I grew up listening to from the mother’s vinyl collection. Never before have I heard a band so true to those roots like Fret! are.
Pink Pussycats From Hell are a band. They are a good band. They are a good band that have managed to consume my life and deafen half of the neighbourhood with their lovely sounds. I like them.
There are a lot of bands out there that like to use the fact that they are a “live band” as a staple, like that places them above and beyond anyone else. Then there are bands like Lovely Wife, whose sound is so wildly abstract that trying to translate what they do into a studio recording just doesn’t do them justice.
It’s no secret that I’m a huge fan of punk. That said, I haven’t been hugely impressed with many punk releases over the last decade. Sure there are some bands who have been around for decades, such as NoFX and The Descendents, who never let their old fans down, but most promising newer punk bands end up being a let down.
One of the things I love about music (I wonder how many times I’ve started a review with those 8 words…) is how different bands can stand out and hit you with so many different aspects of the music. For some it’s simply a serving of catchy, pop choruses, others it’s the character and style. Not many, for me, have vocals that stand out so much as Atom Driver’s. Mark Segall’s vocals give the sound a massive edge that works perfectly with the punked up garage-rock sound.

One thing immediately stood out for me with Sports; those guitars. So much so that I am getting straight to them in the introduction. At times, such as the within Sound Of The Universe, the tone and reverberation sound like they belong in an old 60’s/70’s record. At others, they almost drive the entire song on their own. And the rest they just power the album’s biggest moments.
Over the course of writing reviews for The Cauteriser, I have somehow managed to dig into darker, dirtier and all round noisier bands as I’ve gone along. Then Capital Youth come along with something a lot more, shall I say normal? It took my ears a few play throughs to get back to grips with something that isn’t bombarded with distortion and unpredictable loudness, but damn, Lemonade is one solid EP.