Somehow the albums I have been asked to review have gone from being noisy punk and hardcore to experimental/progressive metal (and for some reason all suddenly containing 9 tracks…) 100 Years aren’t easy to categorise, but certainly sit somewhere amongst the latter.
Post-Hardcore was a huge soft spot of mine many years ago. Now I need something a bit more complex than a shit tonne of distortion and overly aggressive vocals. IEatHeartAttacks sound like they’d be a run of the mill band with an appropriate name to attract the attention. Definitely not the case.
Continue reading “IEatHeartAttacks – Please Just Dance Death [Album Review]”
Pink Pussycats From Hell are a band. They are a good band. They are a good band that have managed to consume my life and deafen half of the neighbourhood with their lovely sounds. I like them.
Continue reading “Pink Pussycats From Hell – Hell-P [Album Review]”
It’s no secret that I’m a huge fan of punk. That said, I haven’t been hugely impressed with many punk releases over the last decade. Sure there are some bands who have been around for decades, such as NoFX and The Descendents, who never let their old fans down, but most promising newer punk bands end up being a let down.
Continue reading “The Bare Minimum – Sink To The Top [Album Review]”
Straight up, this album took all of 1 minute to wow me. That is an impressive feat; that said, it also leaves itself with over 40 minutes of high expectations to live up to.
Continue reading “Every Stranger Looks Like You – Bluest Shade Of Black [Album Review]”
One thing immediately stood out for me with Sports; those guitars. So much so that I am getting straight to them in the introduction. At times, such as the within Sound Of The Universe, the tone and reverberation sound like they belong in an old 60’s/70’s record. At others, they almost drive the entire song on their own. And the rest they just power the album’s biggest moments.
I have a strange soft spot for grindcore/speed metal bands, ones that would be nothing more than loud noise to most people. Strange because it shouldn’t really be a soft spot, more of an infected wound. Nonetheless, The Mansters are all about loud, thrashy music that doesn’t mess around. It just fucks you up.
Continue reading “The Mansters – The Mansters [Album Review]”
I don’t know why but I have developed this habit of writing a weird introduction on reviews of which, aren’t entirely off topic, but are pretty much pointless. Now trying to think of how on earth I am supposed to open a review of El Yunque’s Boxes, I was even more stumped on what meaningful text I can fumble together. Experimental? That definitely describes it. But no single paragraph can give Boxes justice.
To summarise Mutation III in a sentence: My fucking speaker wire packed in because of this album.
Suicidal Tendencies are one of those bands who released a debut album that I absolutely adore, but then all of the following albums just didn’t do a thing for me. That was until 1999 when Freedumb came out. Since then, each album that I have heard has pleased me immensely, World Gone Mad included.
Continue reading “Suicidal Tendencies – World Gone Mad [Album Review]”
The Cauteriser 