I don’t know what Shoun Shoun means, if anything at all. Searching just brought up the band and Shaun the Sheep. It just makes me think of The Sims, which explains why I wanted to play it instead of writing this…
Continue reading “Shoun Shoun – We Woke The Monster [Single Review]”
“Maybe I’m losing the plot, as they say. But I disagree; I’m just beginning to see the plot” –Adam Stone, 2023
Continue reading “Pound Land – Mugged [Album Review]”
Pound Land have somehow perfectly represented the state of the United Kingdom in audio form, which is as bleak and worryingly relatable, yet furiously beautiful as you could possibly imagine.
Continue reading “Pound Land – Violence [Album Review]”
I’m not entirely sure how to pronounce Bisch Nadar, so forgive me if I say it incorrectly during this review.
Continue reading “Bisch Nadar – Wink Murder [Single Review]”
Do you like your music loud, crusty and faster than an epileptic seizure? Then you’ll need a dose of Barque in your life.
If people listened to music with as much care as Trigger Cut have put into Buster, the world of music would be a very different place.
Well here are two firsts; The Cauteriser has reached yet another new country – Greece, and this is the latest/earliest that I have attempted to write up a review (currently 04:32 am). Let’s fucking do this!
So, I get sent a lot of music these days, and over the last few months I have written about a lot of releases. The majority of what I’ve listened to has been fantastic, but not a whole lot have felt like something that I would go back to after reviewing. Fizzy Blood, however, have created something that really does keep drawing me back in for another spin.
There are three key things that can greatly give musicians a boost with their work; most commonly some form of drug or alcohol, or my personal favourite, caffeine. Salt The Snail are a perfect example of the latter.
The Cauteriser 